My friend and fellow poet, Allan Peterson, and I have an ongoing friendly debate. He says he writes to be viewed on a page and read with the eyes. I have no objection to that as far as it goes. But my prejudice is to write also for the voice and the ear. It is, as I say, a friendly debate, only about emphasis. Allan’s poetry often lives well on the tongue. See, for example, “Placemat”: http://www.allanpeterson.net/index.php?option=com_content&view=article&id=54:placemat&catid=34:poetry&Itemid=37 Lance Mannion makes the case for hearing the “poetry” in his playfully serious online article, “Why we need poetry: How William Wordsworth and I saved a marriage”: “You can understand the themes, know the history, be able to put it all in a critical, literary, and biographical context, but if you never really hear it, if you don’t know and love the sound of it, you’ve missed the point. “You’ve missed the poetry....